Where is the best place to write?

Personally I have written in all sorts of places. OK, so not the toilet or in the bath, because it could get kind of messy, but most places. Reading, well that’s a different story, I have read books, magazines and newspapers pretty much everywhere you could imagine, because if you love reading, well where doesn’t matter, or shouldn’t. Why shouldn’t it matter? Because if what you are reading is truly engrossing and you lose yourself in it, then where you are should melt away into obscurity.

Writing however, can be affected by all sorts of things. Imagine trying to write an emotional piece about the death of an important character, while sat on the tube clattering along while being nudged by others. Imagine trying to write about a peaceful and beautiful place while you’re sat on a bucket at a building site, while Bob the Builder hammers a wall with a pick axe. OK, I’m exaggerating, but you know what I mean.

Naturally if we were so limited in our ability to take flight with our imagination then we would have to be wrapped up in cotton wool or actually have to experience the things we write about, and end up sounding more like we were giving a presentation than creating worlds of the mind, our minds.

It is good to experience things, new places, people and events, because they all add to our knowledge and even our wisdom. However there has to be a space within us to simply create something from nothing, otherwise what is our imagination for? It’s not enough to simply parrot what we have seen or heard, we have to reshape it and bend it into something the reader would hopefully not have experienced before.

The point about where we write, and where we create something, is more important to us as creators than for the reader, viewer or listener, because there does have to be a state of mind where we are open to new ideas and allow our minds to flow with interesting thoughts and ideas. Of course if we are writing a horror story, and we are in a place where something strange or weird occurs, then this can add to what we need to show, it can provoke a sense of something which we can incorporate, but often we just need a quiet moment to be able to tell the story.

Being creative with what we write isn’t enough, unless you’re dealing with absurdism, which might not need a defined narrative. Most readers will want a sense of direction, which requires plot, and character development, and actually going somewhere with it. If we write in a place which affects our ability to concentrate, then we will often miss things, create glaring errors, not to mention the ubiquitous spelling errors, and endless grammatical inadequacies. Readers are very quick to point these out, and of course they have the right to, because they pay for our work, and have a right to expect the best. If for no other reason, that should tell us all we need about the importance of uninterrupted writing.

Which brings me neatly to the original point: where is the best place to write?

For me, I mainly write in a small wooden summer house, windows at side and front, and double doors which open out. Beyond is a small yard which on either side has plants giving it a green and flowery sensation. It is quiet here, apart from a large tree overhanging, often filled with birds.

I find it a good place to be, and a good place to write.

I have written in other places, like my living room, but then there are distractions from letters arriving, and people coming in and out, or someone knocking for something. At least here, in the back, I can pretend I am not in, and perhaps the only person left alive, albeit thankfully for a short time.

I wonder what the real differences are between what kind of place we need in order to be able to enjoy our reading, and just how bad it could be as a writer for me not to be able to write.

I guess I’ll have to go into a war-zone or onto a building site with Bob the Builder and find out!


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New Book Progress

I’m pleased to be able to say I am in the process of writing the third and final part of The Dog Under The Bed, which deals with what happened next after Arthur had found his new home.

I am at a crossroads of sorts, in precisely what to call the book. I am torn between sticking with What Happens Next as a subtitle, but I think there are better options, such as Arthur Finds a Home or similar. I’m sure I will know once it comes to launch time.

My aim is to finish the book and have it on sale by the end of August, but obviously it is typically holiday time and things such as life do tend to get in the way.

The first book dealt with a stray dog, ending up hiding under a little boy’s bed, and how he managed to avoid detection in the pursuit of finding somewhere safe to stay.
Its reception had been hugely rewarding, the sales, library reads, reviews and general appreciation.

The follow up, Arthur On The Streets has likewise been met with great success and appreciation, however naturally it deals with things in a less happy manner. Arthur finds himself on the streets and lost, and learns what it is to be a stray and unwanted dog. Life can be tough, but also a huge experience, as Arthur finds out.

I am pleased to say that the final part of the trilogy finds Arthur in much happier circumstances. Anyone who has taken in or adopted a stray dog will know that both we and our new dog have to adapt to each other. When I got my dog Scooby, on the first day he jumped onto my bed and soiled and wet it, which was a shock! I had a word with him, cleaned it all up, but the next day he did the exact same thing again! After that he wasn’t allowed onto my bed. Of course it is well known dogs like to mark their new territory, and that was what he was doing, but it is part of getting used to a new dog, especially as he was three when we first got him.

So book three will be all about how the family and Arthur adapt to each other, and all the fun and frolics they have. I believe it is going to be tremendous fun to write, and wonderful to read.

It is and has been a great journey, not only having dogs in my home, but writing about them too. Long may it continue.

Of course Dog 3 will not be the last of my escapades in writing about them, no chance. It is only just beginning!


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The Dog Under The Bed

Arthur On The Streets

Two Dogs in Africa

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How We Choose To Read

I got to thinking about how we choose to read, and in turn how I have done so, and changed over the years.

For me I tend to look at a hardback copy of a book and see it for the premium that it is. Quite why people choose hardbacks over softbacks or paperbacks is a mystery to me at times. You see some books which are charged at a much higher price, simply for how it is packaged, and often I can’t help but wonder if the extra cost is worth it. Still, they look good on a shelf!

Thinking about the ways I have read a book, it reminded me of a time when I read Stephen King’s Cell on an electronic PDA in the bath. It was a small device, around 5 inches by 3 inches, with a decidedly not HD screen. Slightly bigger than a smart phone, and lighter. It was a first for me, and well before the prevalence of smart phones and tablets. I did this every night for a week, laid in the bath reading it until I finished. I quite enjoyed the experience, and thankfully no mishaps, no dropped devices into the bath. However I haven’t done it since.

The thing about paperbacks, especially if it is raining out or we are in the bath is that the paper gets wet easily, it folds up and afterwards looks awful when stored, not to mention how it is when we want to read it again.

This brings us to the matter of reading books on electronic devices, such as Amazon’s Kindle and others. They are amazingly practical, and can store huge amounts of books on one tiny device. The screens are clear and bright, and often battery life can last months. So obviously they are perfect, and the natural future of reading.

Well, perhaps not. I have a pretty large collection of books, and lots of shelves to store them. At one time I decided to go all in, obtaining copies of all of my books in electronic format, and boxing up the books for the loft. People who know me were horrified, unable to comprehend the thought. To my mind I figured they were just being old fashioned, but looking back I can see their point. Yes, books wear out and are difficult in some circumstances, but a row of shelves with books on is something to be proud of, and are an instant visual reminder of being there, to be read again, our very favorites.

So now I am back at it, rebuilding my book collection, in paperback, and occasionally a hardback. I still have the electronic versions, but for me it’s good to have a choice.

Ultimately of course it doesn’t truly matter how you read, in whichever format, but we are lucky, in that we have a choice.

Then there are audio books, which stemmed from the old taped copies, often using six to ten tapes, on both sides. The sound quality on the recordings wasn’t great, but then along came books on CD, and now we have the likes of Audible, where you can use phones, tablets, laptops, even devices such as the Amazon Echo Dot to listen to our collection.

What it all means really is that our choice of how we enjoy our books is expanding continually. We are spoilt in fact, because there have never been so many ways to enjoy one of our favorite pastimes.

All that we need are a great selection of books to read, and for that we really are spoiled.


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Emotion In Books

When reading books we all go through a wide range of emotions. What and how we feel depends a lot on the type of books we read. When we read a thriller, this can open up a lot of differing feelings, however the primary element will be an increase in our heart rate due to excitement or tension, brought on my sudden events which cause abrupt changes. From this we can feel fear, a surge of adrenaline, or even simply being more aggressive within ourselves. For example if the primary character in a novel is someone we identify with, a good person perhaps fighting off some kind of evil or criminal actions, we can feel their aggression, their determination to succeed, and if and when this happens, we feel a sense of elation or joy. If we identify with a character that is evil, or carries out criminal acts and gets away with it, then we may feel an oddly similar kind of joy over this, or satisfaction borne of their odd success. I say satisfaction, because through books and our imagination we allow ourselves to act out that lead character, and do things with might never otherwise do in life.

A comedy can be different, in that we stand back, mentally, to look at the actions of people in the novel, and the things that happen to them. It is like watching something funny in real life, where perhaps something slapstick happens, like a cake to the face. We wouldn’t usually want to identify with that character, we don’t want to be the point of the joke, but we’re often happy to see others in that predicament. Still we feel emotions, humour tickles us, we smile and feel good, and are driven along, coupled with our imagination. There can still be other elements of emotion in what we feel when we read something like that, but our goal is to laugh, which tends to be why we might choose such a novel, knowing it is going to make us laugh.

Other novels, such as simple action novels, perhaps based on war or fighting, maybe makes us feel brave, allows us to imagine ourselves in situations of drama and risk without actually risking our lives or safety. From this we do still feel a sense of fear, but overwhelmingly we feel satisfaction when the primary protagonist succeeds in their work, no matter what it costs them.

Some novels make us cry, they expose us to emotions that we may otherwise shy away from, mainly because with a book we can close it, and go do something else, or interact with others in our lives. From this we have a reminder of how good our lives can be, as well as a peek into a world where others might suffer, another reminder of how life could be. We gain satisfaction in another way, a kind of schadenfreude, where others might suffer, and perhaps we might enjoy it, feeling better about ourselves without going through it first. That may sound negative, nasty even, but it is an element of human nature.

That then is perhaps what is most powerful about reading books, that they allow us to step into another person’s shoes, but to also experience everything they do and say, without cost, remorse or recriminations. We are a fly on the wall, a ghost sliding through the corridors of life, enjoying all the rampaging energy, the life, creation and destruction that writers expose us to. They are a doorway to everything else we can imagine, but don’t want to experience, and most of all they provide us with a route to a series of experiences from which we draw a full range of emotional experiences, all without cost. Why without cost? Because when we have had enough, for that day or that moment, we can close the book, and go back to our safe, normal lives.

Thank goodness for writers, for creators, and thank goodness for books.

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Our shared love of reading

I think it’s fair to say we all share the love of a good book, but I sometimes wonder what it is that creates the perfect setting for a really good book. This got me to thinking about a range of things connected with reading, and what we need in order to enjoy it.
I thought about how I have read books, and in what manner in the past, and how these things have affected what I felt about the book, and even how I remembered it.

Back when Stephen King released his new book Cell , I recall having a digital copy of it on my small electronic PDA. This was before the widespread use of smart phones and tablets, when people used electronic PDA devices for everything that smart phones do, only back then not as well. The screens were not high resolution, and usually only black and white, but when it came to writing notes and even reading ebooks, they did the job. I spent an entire week, each night having a bath, laid in hot water, reading that book of Mr King’s. I will admit, it wasn’t one of his best, but it was enjoyable anyway, and I think all the more memorable because I read it while in the bath, and using this PDA, which was a first for me.

I got to thinking of all the ways I have enjoyed a book, and how the setting of my reading contributed to my enjoyment. That time in the bath was unique, and enjoyable, but mostly my reading takes place when I am in bed. I have a small night light on, by the side of my bed, and I am snugly comfy under the plush covers, propped up by some lovely pillows, with a drink and a snack if I can find the time to put the book down long enough to enjoy them. I have read countless books this way, and for me it is a moment of tranquillity and solitude, while I lose myself in a book, where my imagination can roam and my attention is lost within its world.

I know one family member of mine has a very large armchair, quite huge in fact. She gets a very large fleece, wraps herself in it, and curls up on the chair with her new book and reads it for hours.
The place where we sit or lay to enjoy our new book can become symbiotic with its enjoyment, as if we are cocooned within a shell, protected from disturbances, transported away so that our minds can truly connect with the characters and situations within.
So I think it is fair to say that how we prepare where we read is as important as anything else. It provides us with a base from which we can remain relaxed and focused on the journey into the next book.

I think where we are to do this is as important as any element in our experience as readers, so that through this we can soak up every word and every detail, unhinge our imaginations and enjoy all the thrills and emotions, good or bad from a novel, without having to worry about feeling uncomfortable or stiff, or cold, or how our surroundings keep impinging on what we are trying to experience.

I no longer read books in the bath, far too many curled pages from the steam on my beloved paperbacks. Now I mirror that of a family member, a lovely large leather chair, with a footstool, and a huge fleece which buries me. I even go so far as to wear ear plugs now! Because I take those first steps into that new world of literature, nothing can possible stop me!

We are spoilt in a way, so many choices, not only of the books we want to read, but how and where we can do it. That’s the beauty of reading; we can do it anywhere.

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What is more important, the story or the prose?

It would be easy to immediately say that the story is much more important than anything else, because a novel or short story without an actual story, or plot, is nothing but a passage of words. The reality for many people is very different. There are genres of fiction such as Slipstream, which has few boundaries to define what it means or stands for. Those who enjoy traditional fiction may read some of these pieces and struggle to not only understand them, but also enjoy them. Often within these pieces are words or phrases which catch the eye, and resonate a deeper meaning, where the end result of what a story might be is less important than how it is actually written. Here the matter of communication stands out, like a whisper in the night, speaking to us in a way in which many have become immune to hearing, or feeling.

Beyond something like Slipstream are novels which are expressly and expansively written, soaking every sentence in words and descriptions which help to being the scene alive. One such story is called The Bloody Chamber and Other Stories, by Angela Carter. The way in which she describes every single thing is rich and full, using every word possible to express every moment of the tale.

Some find it annoying, unable to get past the language to enjoy the story, but others (such as myself) find it accompanies the piece beautifully, as if the words weave a tapestry, stringing it altogether in a unique and fascinating blend.

Even a book such as The Time Traveler’s Wife by Audrey Niffenegger could be said to be similar, as if the author has poured out every single thought into an endless array of words, clawing at trying to convey her feelings throughout the novel, as if a free flow of words might somehow impart as much emotion to the reader as she might have felt when writing it.

It is a difficult balance, for sure, as a writer. I have heard some say J.K Rowling isn’t a very good writer, because her words and sentences are poorly written, but then this would surely miss the entire point of the Harry Potter books, in that the story and the worlds they create are everything. Does a book have to be written with perfect grammar and spelling, and with the guile and wit of Dickens for it to have any merit?

Truthfully, only the reader can decide this. Some find an awkwardness of grammar or syntax make it impossible to enjoy a novel or story, and that has to be respected, but it cannot be the end of it, because often a truly superb story will override this, and ensure proper enjoyment for the reader, no matter what the story’s limitations in how it is written.

What of those who somehow manage to marry it all perfectly, a wonderful story, superbly written, without a deluge of prose? Perhaps they would be the Mark Twains of the literary world, and rightly recognized for it. If so, perhaps it is something we might all strive for.

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Why do we read fiction?

I think it’s a good question really. Nonfiction is obvious, because for that we want to learn something new, or something which can be useful to help us solve a problem, or do something we want doing. Fiction, that is a completely different ball game.

A cursory glance at Kindle on Amazon shows us that there are over twenty two thousand categories of books on their market, the vast majority of which are dedicated to fiction. Break down the obvious genres of fiction such as Romance, Science Fiction, Murder Mystery, Horror and others, and you get many more sub categories. Each of these is broken down into yet more categories and each of those into ever smaller categories.

The point of all this is to prove just how varied our tastes are in fiction. We don’t all like one type of book, even if we like the same genres, how a particular book works can be attractive to us, and our imaginations, where for others it might not be. If enough people like this, then more will buy those types of books, and more will write for them, to cater for sales.

The most important element of all this is the reader, because there would be no point in writing if no one read it. However, the reader isn’t entirely passive in this experience, because as I have said, imagination plays a huge part in the experience of reading fiction.

If we entirely relied on what we read, those words and the expressed actions, and ignored any descriptions of characters or settings, the details that flesh out a book, then what would separate a book from a film? With a film we are much more passive with our thoughts, except our emotions come into play. Of course they do in a book, but we feel much more in control of our emotions when reading a book, because we decide how we internally visualize what we read, and we decide how much emotional attachment we accept with the book’s characters and what occurs.

So clearly when reading a book, we invest much more imagination in what we read, and shape in our minds what we see, feel and think about events. We are guided much less by a book than any other medium.

So for the deeply personal experience that reading allows us, books of fiction are surely the most unique experience we can have. Books are renowned for being deeper and more detailed than any television series could be, or any film, which are always constrained by running times and productions costs. Books never suffer this. A prime example of this is Stephen King’s The Stand, of which the unabridged version was over a thousand pages. Miniseries that attempted to recreate the vast book never truly captured the essence of the characters and events.

So why do we read fiction so much? I believe it is because we are transported there, either as a character in the book, or as a fly on the wall, and at our own pace we can explore the world the writer has given us.

It really is a unique concept, and an important one for us all. I’m just proud to be able to sit on both sides of the fence on this, creator and reader.


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What makes a good book?

As I have spent more and more time writing, I began to wonder just what it was that made a good book. One of my very favourite books is A Rebel in Time by Harry Harrison. It deals with a black man going back in time in search of a criminal to the time of the Civil War. It’s well written, and a great adventure. I was lucky enough to be given a copy of this in hardback, and even better, it is a signed copy. For me I got into the works of Harry Harrison from reading 2000.A.D comics, when they began to offer a strip of The Stainless Steel Rat. Later on I looked for Harrison’s books, and found Bill The Galactic Hero, which I thought was so silly and funny I read it three times. I read all of the books in the series, and it was obviously at this time I began to realize there were certain writers I would follow, because they wrote things I enjoyed and liked.

I wondered what it was that I enjoyed most about not only his books, but those of others I read. For me to put it simply, there are two main aspects that matter. the first is it has to be a truly great story. It doesn’t have to be unique or particularly different or new, because look at Harry Potter, which is basically The Sorcerer’s Apprentice , although obviously much more to it. Which brings us to the second important element, which is being able to tell a story.

Telling a story isn’t simple, because it needs to take the reader along, and offer elements which excite, interest, educate or enlighten, or all of those things and more. The plot has to do something, the characters have to have some worth. You can create a plot, and work on it, and create graphs and charts and lists of characters and events, but then you have to string it all together, in a way which the reader falls in love with, and becomes a part of.

When a book of fiction does this, it really drives our imagination, and leads us to places we might never have imagined ourselves going.

So for me a book needs to have an interesting story, and the writer needs to tell that story well. Then I can get into it, love it, and want to read it again.

I think doing that well enough that the reader will love it, and you as a writer is the hardest part, because we’re all different, and there’s no telling what might excite on reader, but annoy another.

I guess that’s all part of the fun of being a writer though.

Now, you’ll have to excuse me, I have a book to read…

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Can you judge a book by its cover?

As I am in the process of launching a new book, it got me to thinking about covers, naturally.

With The Dog Under The Bed I actually used my own dog as the cover model, partly because he was very cheap to work with, as in some biscuits and a pat on the back and he was happy, but also because it saved costs for royalties. Some covers don’t need much more than this to stand out, but some genres are difficult to pin down, and their covers are many and varied.

It reminded me of some recent covers I had seen on Instagram, for paperbacks and hardback books. Not only were there very colourful, but they were embossed, and the nature of them stood out so much I was very much intrigued to find out more about them.

It also made me thing of other books I have read in the past, and what drew me to them. I thought of Clive Barker’s Weaveworld, and how that cover suggested something interesting within. As it turned out, the cover very much matched my expectations for the read ahead, and it left me with an indelible impression that has lasted to this day. Not only of the cover, but of what I read. So it shows how an impressive cover, as long as it somehow depicts what might lie ahead, can really enhance a book, and draw us to something worth reading.

So I would think in some ways, yes you can judge a book by its cover. Perhaps the better quality of the cover and its artwork, then perhaps the better the quality of the book.

If only that were always true.

I intend to put this to the test with my new book, as I have commissioned a very high quality cover, and hopefully I can match expectations with what I have written.

We will see.

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The differences between US and UK spelling and grammar, plus new book

For my new book I decided to employ a professional editor to fully copy edit my book. Some things stood out for me:

Firstly, as much as I edit my books, and am very careful about it, I’m only human, and of course there were things I overlooked, one or two mistakes. They happen, but with my new editor’s aid I believe we have ironed out all spelling errors, continuity errors and such. This should make the reading experience much better.

Secondly, I must admit to being shocked at the amount of words spelt very differently in the US compared to the UK. I made the mistake of thinking it was only a few words, and not so important. How wrong was I?!
Other things such as standing and stood, being said differently, and plurals and singular, the differences are so many. Clearly editing for a different market are important. lesson learned.

One thing about doing things so much more professionally is it adds to the time before publication. Thankfully I am at the end of it all now, and my new book should be launched within the next week or so.

The genre is quite a departure for me, dealing with family and emotional issues, which are complex and subtle. Writing something like this can be emotional for the writer too, but I feel if I am experiencing an emotional connection with the events in the novel, and how they effect the characters, then hopefully that will feed through to the readers. Time will tell.

Of course, the work never stops, and my next project is going to be the final part of The Dog Under The Bed. It will be simply subtitled: What Happened Next, and concludes it all.

I have been very pleasantly shocked and surprised at the reaction to the first book, at the time of writing this it has 148 reviews on amazon, and a huge amount of ratings on Goodreads too. Clearly it is a much loved book, and worthy of a good conclusion.
I can say the final chapter will be very loving, full of fun and humour, and a wonderful way to send Arthur off to his new home, with his new family.

Roll on next week, when I begin writing it, I can’t wait!

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